THE AGES AND THE MEN |
CATO THE YOUNGER 95-46 B.C. |
JULIUS CAESAR 100-44 B.C. |
M.T. CICERO 106-43 B.C. |
MARCUS BRUTUS 85-42 B.C. |
MARC ANTONY 83-30 B.C. |
Classical Age Our representative writer is Plutarch |
High regard
for a man who was better than the times in which he lived.
|
A life
destined for great things.
|
A learned man and a lover of his country. |
Praised for
purity of motive
in the assassination of Caesar.
|
A cautionary tale of a life gone bad. |
The Christian Middle Ages Our representative writer is Dante |
As Cato was the defender of the
Roman Republic, likewise, Cato, in Dante's Comedia, is portrayed as the
guardian of the seaward approach to the island of Purgatory.
|
Held up as laudable example of
swift action, and his faults are downplayed.
|
A virtuous pagan and a guide to Christians. |
Dante places Brutus in Judecca, in the Ninth, or lowest,
Circle of Hell, as a
betrayer of his benefactor.
|
Dante doesn't mention Antony,
but he does treat the story of Antony and Cleopatra as that of a
sinner made less sinful by
the love that motived the sin. |
Rennaisance
Our representative writer is Shakespeare |
Cato is already dead when the action begins
in the play Julius Caesar, but his
noble spirit lives in Porcia.
|
He towers above his contemporaries
and even in death is a major force.
|
Shakespeare, who otherwise gives us stellar
examples of oratory, such as Marc Antony's funeral oration, gives but
few and unimportant lines to Cicero,
the greatest orator of ancient Rome. |
The noblest Roman of them all.
|
In Julius Caesar we see
Antony as loyal to Caesar whose murder he avenges. In Anthony and Cleopatra Shakespeare makes
Anthony the romantic leading man of the love story. |